An Assessment of C.K. Wiliams and Ted Hughes Essays -- essays papers

There are few positive views of life to be found in C.K. Williams’ The Vigil. His poetry does not present a necessarily negative life-view, but rather sees the world as most others do. He calls out commonplace people, places, and times in the same manner that most of the rest of us do, despite how dark it may seem. Williams uses a lot of punctuation in his poetry. His sentences, although full of commas and semicolons, flow smoothly from line to line. He uses a lot of clauses and qualifications in his writing. Each stanza remains fresh, never becoming mundane or repetitive. He chooses words carefully, painting pictures with broad, smooth strokes rather than wispy phrases that are hard to follow. In his poem entitled â€Å"Grief†, Williams accurately describes his grief at the loss of a loved one. In Part One, the feeling is heavy and overwhelming. The speaker, (most likely Williams), recalls days of sitting bedside with a slow-dying love. Some writers waste time in getting to the heart of the poem, but Williams wastes none. In the first line, he leaves his readers with no question as to what is going on in the poem. He writes, â€Å"Gone now, after the days of desperate, unconscious gasping, the reflexive / staying alive,† (29). All readers are instantaneously reminded of an experience with watching a loved one pass slowly, perhaps painfully. In Part Two of the poem, Williams questions grief as an emotion. He tries to indicate what exactly the emotion of grief entails, and maybe even what it should be. He comes to the conclusion that grief is not clear-cut, but rather like a roller coaster ride, up and down, coming and going in unexpected waves. Readers can identify with this, as we all know that grief is not an appare... ... Hughes writes, â€Å"†¦ to announce to the world / What Life had made of you† (112). Hughes feels happy at this moment, but he knows that Plath’s happiness is too good to be true, and that it probably won’t last. We all know that it couldn’t, and it didn’t. Both Williams and Hughes present life in a manner that may not be pleasant, but is nonetheless true-to-life. Although Williams’ life-view is a bit dark and dreary, we can all read it and relate it to some aspect of our lives. And although Hughes’ poetry is mostly about his life with Sylvia Plath, we can all read it and relate it to someone what we may know. Williams refuses to find a silver lining in every cloud, and Hughes refuses to see Plath as a woman who could be helped. The reason that both of these poets are successful is that they write about life as it is, rather than what we would all like it to be.

Story “The Movies That Rose From the Grave” Essay

Drumhead In his authorship. The Movies That Rose From the Grave. Max Brooks. explains how films. books. picture games. and telecasting shows about Zombis have continued to be a leader in the horror industry for the past 40 old ages. The narrative of Zombis originated as myths and tall narratives. The first Zombie film. White Zombie. was released in 1932. During this clip period. a Zombie was a living individual that was made to move as a cadaver. With the release of George A. Romero’s film. Night of the Living Dead. in 1968. the impression of a Zombie changed drastically. In this film. Zombis were portrayed as people who had risen from the dead and terrorized society. Zombis destroyed the encephalon of their life victims and lived off of human flesh. Their chief intent was to destruct human society. With the development of computing machine games such as Resident Evil and House of the Dead. more people were fall ining the Zombie fad. More zombie films were created and the followers inc reased. Even today. Zombis have continued to be a ruling force in the film. telecasting. and video game industry. This has many people inquiring why. Max Brooks discusses how current events over the past six old ages have influenced the type of amusement consumers seek. Over the past six old ages tragic events such as terrorist act. war. planetary unwellness. and weather related catastrophes have dominated our lives and the intelligence. To get away from the anxiousness created from existent life menaces. society relies on fictional characters such as Zombis. Peoples can watch films about flesh feeding animals out to destruct the Earth cognizing that it will ne'er happen in existent life. Horror movies cause the spectator to go scared and nervous. Much like worrying about whether a terrorist onslaught is traveling to go on once more at an airdrome or whether your place is traveling to be destroyed by a hurricane. horror movies cause anxiousness. However. this anxiousness is relieved every bit shortly as the film is over. Peoples use fictional events and characters to get away from existent life events and emphasiss. even for merely a short clip. There have been other fictional horror characters such as lamias and monsters. These characters have non continued to rule in a manner that living deads have. It is ill-defined how long the living dead tendency will go on.

Essay about The Sociological Framework of Harriet Martineau

The Sociological Framework of Harriet Martineau Over the past twenty years, sociology has gone through a process of self-evaluation, as field researchers and observers express a wariness about the empty universalism of speculative systems and look for ways in which to secure empirical foundations that give way to meaningful application in a pluralistic, postmodern world. The survival of sociology as a critical theoretical discipline is a concern expressed by many, such as contemporary social analyst George Ritzer, who are forging new paths of application that represent a paradigm shift in this classical social legacy. In the framework of classical sociological theory, numerous sources, including Ritzer, investigate this brave new†¦show more content†¦By referring to works on classical sociological theory and other sources, one can only arrive at the conclusion that Martineau provided a conceptual framework capable of providing an integrating paradigm for the entire field of social-psychological-cultural relations upon whi ch many modern social theorists have been able to put forth theories that are attuned to postmodern realities, as well. (Hutcheon 2-3). In the seminal work, Studies in History and Philosophy of Science, authors note the birth of meaningful social science concurrent with Martineaus groundbreaking social research, as they explore her attempts to move away from subjective authorship in order to devise objective methods for the observation and representation of the social state (Cooper Murphy, p. 122). Martineau, and her contemporaries such as George Ritzer, clearly have found the means to do this through the interactionist approach. As method researchers observe, for Martineau, and her contemporary Ritzer, aesthetic considerations are as key to their method as much as scientific observation and representation. Critics have considered both Society in America, Martineaus most widely known work which attacks the reality/rhetoric issues confronting methodological strategy and ethnocentrism, and her foundational treatise on sociological theory in data collection, How to Observe Morals and Manners. These worksShow MoreRelatedThe Sociological Perspective, As Defined By The Textbook Society900 Words   |  4 PagesThe sociological perspective, as defined by the textbook Society: The Basics on page 2, is being able to see the general in the particular. 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